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Reno, NV, USA, April 24, 2024 -- A large California Gold Rush-era gold and quartz nugget sold for $25,000; an original 1881 photograph of a 13-man posse in Arizona brought $8,750; and a trove of letters from 1883-1886 pertaining to the “Bisbee Massacre” and Apache attacks in Arizona brought $12,187 in Holabird Western Americana Collections’ Wild West Relics Auction split between two weekends – April 6th-7th and April 13th-14th – online and live at the gallery in Reno, Nev.

It was a massive event, one that required a break between Sessions 1-2 and 3-4 it was so sprawling. Fully 2,300 lots came up for bid in over 60 collecting categories over the four days. Hundreds of lots went up for grabs, featuring many one-of-a-kind discoveries and great rarities. The sale came on the heels of a timed auction held two weeks earlier that also saw a lot of action.

Day 1, on Saturday, April 6th, contained 563 lots of art, jewelry, Native Americana, maps, World’s Fair/Expositions, books, autographs, photographs, tools and the Wilcox photo archive.

The Wilcox archive comprised hundreds of photographs taken circa 1860-1864 by Dr. Timothy Wilcox, an Army physician assigned to many of the Western forts, especially Fort Huachuca in Arizona. It changed hands for $2,625. But the top lot of the day was the 1881 mounted original albumen photograph of the 13-man posse that was sent from Tucson to Yuma, Arizona to arrest one of the Goldwater brothers for fraud in a suspected major retail goods swindle ($8,750).

A circa 1660, full edition copy of Il Capitolo dei Frati, handwritten in ink by Jesuit monk Sebastiano Chiesa, controversial for its time and banned by the Catholic Church (just owning a copy was punishable by death) fetched $5,000. Also sold was an archive of photos and personal papers from Oliver Parker Fritchie, a visionary who owned electrical vehicle and wind power businesses in the early 20th century. He was awarded his initial battery patent in 1903 ($3,125).

There were several stunning squash blossom necklaces in the auction. Chief among them was a stunning example with dark blue turquoise in a dark brown to black matrix, crafted circa 1960 by Jimmy Long, the spouse of Navajo silversmith Helen Long ($3,250); and an equally beautiful vintage Navajo necklace set in sterling silver, 24 inches in length, with ten turquoise nuggets up the necklace portion and another seven set in the naja at the base of the gorgeous piece ($2,875).

An early 1732 copy of Italian Renaissance artist Raphael’s masterpiece from circa 1815-1816 masterpiece, The Madonna of the Chair (or “Madonna della Seggiola / Sedia”), went for $3,875. The original is housed at the Pitti Palace in Florence, Italy. Also, a circa 1908-1911 Russian icon of Our Lady of Kazan, with three colors of gold plate over .875 silver oklad, a rose gold halo and yellow gold robes, the icon and frame seated inside a custom glass-top box, achieved $2,000.

Day 2, on Sunday, April 7th, featured 580 lots of 3D collectibles, clocks, musical items, furnishings, clothing, collectibles and flatware, advertising, general store, bottles, saloon, gaming, tobacciana, cowboy, entertainment, circus, toys, sports, transportation and railroad, political, military, firearms and weaponry (subject to federal regulations) and general ephemera.

One of the day’s top earners was an archive of hardware and library material from the private collection of a Spy Craft OSS (Office of Strategic Service, which later became the CIA) member during World War II, commanded $8,750. Also, a near-mint example of a marked Virginia & Truckee Nevada railroad lantern from around 1915, the globe etched, “V. & T. Ry” and the very top marked with embossing, garnered $2,375. It was one of about 50 railroad lanterns in the sale.

An extremely rare late 1850s/early 1860s Barry & Patten quart-size whiskey bottle, olive-amber in color and 11 inches tall, finished at $3,625. Barry & Patten was the first Western whiskey merchant to place his product in an embossed bottle. Also, a Frank Abadie pint-size, knife edge coffin Nevada whiskey bottle with the original paper nearly intact, clear and made circa 1884-1886, unquestionably one of the top Nevada whiskeys, went to a determined bidder for $2,875.

A circa 1893, first generation Colt single action Army revolver, .38-.40 caliber, nickel plated, with a 7 ½ inch barrel and built on a black powder frame, hit the mark for $3,875. The gun came with a large scabbard holster. Also, a circa 1886-1895 purple half-pint pumpkinseed whiskey flask bottle, from Wine House / Liquors & Cigars / Reno, Nev., the older variant, hammered for $2,625. Owner Spiro Francovich probably bottled his own brand of whiskey in the back room.

Day 3, on Saturday, April 13th, showcased 517 lots of antique and vintage stocks and bonds, banking, mining, collectibles, industry and oil, railroad and transportation, and miscellaneous.

Day 4, on Sunday, April 14th, contained over 650 lots of minerals, mining, artifacts, ephemera, scales, numismatics, tokens, philatelic, stamps, covers, Wells Fargo/Express, and postcards.

The California Gold Rush-era gold and quartz nugget, discovered in the Shasta area, was so large (2 ½ inches by 3 ½ inches and weighing 1.75 pounds) it almost looked like a small boulder. It was found decades ago by metal detecting in old sluice or dredge tailings. The Robert Matheson letters from 1883-1886, meanwhile, comprised 23 handwritten letters (about 100 pages) and ephemeral pieces, pertaining to the “Bisbee Massacre” and Apache attacks in Tombstone, Ariz.

An American Gold Eagle pendant consisting of a 2014 $50 one-ounce gold piece in a reeded bezel with a 30-inch 14 carat chain weighing 27.7 grams (the coin weighing 33.931 grams), with a barrel clasp and contained in a hard fabric case, realized $4,500. Also, a complete set of Heroes of God silver medal collection, made by the American Mint in 1972, by the Catholic Digest, sold for $2,750. The 60 medals were devoted to saints and popes and totaled 67 ounces of pure silver.

A large collection of U.S. star notes (replacement banknotes, printed to replace a faulty one and are a control mechanism for the monetary authorities to know the exact number of banknotes being printed), dating from 1977-2017 and having a total face value of $2,170, earned $2,750; while an interesting #71 cancel study group of 61 stamps with cancel color variations, to include black and blue, primarily collected for cancel varieties, most well-centered, went for $2,500.

Online bidding was facilitated by iCollector.com, LiveAuctrioneers.com and Invaluable.com. Anyone owning a collection that might fit into a Holabird Western Americana Collections, LLC auction is encouraged to get in touch. The firm travels throughout the U.S., to see and pick up collections. The company has agents all over America and will travel to inspect most collections.

To learn more about Holabird Western Americana Collections, LLC, visit www.holabirdamericana.com. Updates are posted often.

About Holabird Western Americana Collections, LLC:
Holabird Western Americana Collections, LLC is always seeking new and major collections to bring to market. It prides itself as being a major source for selling Americana at the best prices obtainable, having sold more than any other similar company in the past decade alone. The firm will have its entire sales database online soon, at no cost – nearly 200,000 lots sold since 2014. To learn more about Holabird Western Americana Collections, LLC, visit www.holabirdamericana.com. Updates are posted often.

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A collection of important jewelry from a Scarsdale, New York lady led by an impressive festoon necklace; an unusual folk art polychrome carved box discovered in a Chappaqua, New York home; and two paintings by the American abstract artist Robert Moskowitz will headline an online-only Spring Estates Auction slated for Wednesday, May 8th by ACES Gallery in Stamford.

The catalog is loaded with more than 170 lots of fine art, jewelry, Chinese and Asian art, antique and mid-century furniture, dolls and collectibles, art glass, ceramics, rugs and more, beginning at 11 am Eastern time. There is no live in-gallery bidding, but Internet bidding will be facilitated by LiveAuctioneers.com and Invaluable.com. Absentee and telephone bids will also be accepted.

“We’re excited to bring a curated sampling of materials from our clients to the May auction” said Alex Fonarow, Appraiser & Auctioneer of ACES Gallery, which conducts about 50 locally-featured, timed online auctions each year for area estates on its website (aces.net). “Our Gallery auctions are designed to present the very best materials we uncover while working on ACES more broadly focused projects,” he added, “effectively trying to separate the wheat from the chaff. More than two dozen estates are represented in the current auction.”

With a robust pre-sale estimate of $12,000-$18,000, the antique diamond festoon necklace is a candidate for top lot of the auction. It’s designed as a continuous line of baguette channel-set diamonds and prong-set full cut diamonds suspending nine graduated pear brilliant cut diamonds (21.17 cttw).

Lots #5 and 6 are vibrant, colorful paintings by Robert Moskowitz (American, 1935-2024). Both are untitled, oil on canvas, signed lower left, with pre-sale estimates of $1,000-$2,000. One has a frame size of 19 ½ inches by 16 ½ inches, the other 16 ½ inches by 15 ¾ inches. Moskowitz worked at the intersection of Abstract Expressionism, Minimalism and Pop Art.

The unusual folk art polychrome carved box found in a Chappaqua, New York home is from the late 19th or early 20th century. It’s heavily carved with Incan devices and faces in relief, painted in green over yellow with silver highlights. It measures 6 ½ inches long by 4 ½ inches wide (est. $200-$400).

A dazzling ladies’ Panthere de Cartier 18k gold wristwatch features a white dial with Roman numerals, a stylized rectangular border and a sapphire crown, on a matching 18k gold five-row maillon panthere link bracelet with quartz movement. The case and bracelet are signed "Cartier" and impressed with Swiss hallmarks. Total weight: 67.8 grams (est. $2,000-$4,000).

A bronze sculpture on a conforming plinth, signed “L. Gregoire”, for Jean-Louis Gregoire (French, 1840-1890), titled Flute players, 24 inches tall by 19 inches wide, should find a new home for $2,000-$3,000. Gregoire was known for allegorical figure sculpture and mythology.

An oil on board by Samuel Henry Gordon Alken (British, 1810-1894), titled Winter, depicts riders in a carriage in a snowy landscape before a sunset. One of two Alken paintings on offer, the work is signed lower left and housed in a frame of 38 inches by 26 ¼ inches. The painting is expected to realize $1,000-$2,000. Alken specialized in painting animals, especially horses, for which he was known.

A monumental Curtis Jere style bird sculpture made from welded rod and brushed metal, 79 inches tall by 22 ½ inches wide (overall 103 inches tall, including stand) carries an estimate of $1,000-$2,000. The bird has been fashioned with a welded rod fitting into a pipe form stand, allowing it to swivel around its axis. The sculpture shows a welded, stylized signature “J”.

An antique natural pearl and diamond demi-parure (matching set of jewelry), comprising a shield-form brooch with open scrollwork mounting six baroque pearls and melee diamonds set in 18k gold (marked) and suspending one bead cultured pearl, plus a pair of matching fleur-de-lis earrings suspending large (12mm) pearls, with GIA report, should fetch $1,000-$2,000.

A Chippendale carved partners desk having an inset red leather top with gilt tooling above two reeded drawers on ball-and-claw feet, 60 inches long by 38 inches wide, is expected to finish at $1,000-$2,000. Also, a gorgeous antique Moroccan rug, pulled from a waterfront Greenwich, Connecticut estate and purchased in London in 1988 for £3,250, should make $500-$1,000.

An H. Desprez / Sevres painted porcelain plaque, 14 inches in diameter and featuring an Orientalist scene of figures on horseback mounted within a gallery glass-top occasional table, signed lower left and in very good condition, is estimated to change hands for $1,000-$2,000.

A xylograph by Jean (Hans) Arp (French/German/Swiss, 1886-1966), carries an estimate of $500-$1,000. Arp was known for abstract sculpture, installation and painting. Also, two Saint-Louis millefiori (glass of mosaic appearance) blown glass fruit basket paperweights, one with a twisted handle, the other suspended in a clear crystal orb, should each sell for $200-$400.

A gouache and mixed media on paper by the American-Russian artist Constantin Westchiloff (1877-1945), depicting Bear Mountain near New York’s Hudson River, has an estimate of $700-$900. The work is signed lower left and housed in a 15 ½ inch by 13 inch frame. The artist is probably best-known for his seascapes (particularly of the New England coastline).

A Chinese spinach jade covered cup (or bowl) with a conforming lid, pulled from the estate of Vincent Fulgenzi, the artist, playwright and former proprietor of The Red Carpet Antiques in Chappaqua, New York, should achieve $200-$300. The cup / bowl is 3 ¾ inches in diameter.

Previews will be held by appointment only, on Monday, May 6th, and Tuesday, May 7th, from 10 am-5 pm Eastern in ACES Gallery’s gallery and offices located at 85 Old Long Ridge Road (#A7) in Stamford. For an appointment, call (475) 500-7118; or email to gallery@ACES.net.

To learn more about ACES Gallery and the Spring Estates Auction on Wednesday, May 8th, at 11 am Eastern time, visit www.ACES.net. Updates are posted often.

About ACES Gallery:
ACES (All Country Estate Services) was founded in 2020 by auctioneer and appraiser Alex Fonarow. The company was designed from the ground up to offer the highest quality of service to its clients, buyers and consignors. The firm has specialists in all areas of the estate process, including appraisals, traditional and online-only (timed) auctions, donations, and whole-house cleanouts. ACES Gallery is always seeking quality merchandise for future sales. To inquire about consigning a single piece, an estate or a collection, please call (475) 500-7118; or, send an email to gallery@ACES.net. To learn more about ACES Gallery, visit www.ACES.net. Updates are posted often.

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An Auction Extravaganza featuring Part 3 of the Burbridge Foundation Collection out of Oklahoma City, plus other desirable items from prominent local estates and collections, is scheduled for Saturday, May 11th, starting promptly at 11 am Eastern time, by John McInnis Auctioneers, online and live in the Amesbury gallery located at 76 Main Street.

More than 650 lots will come up for bid in two sessions. Session 1 (lots 1-398) will feature decorative arts, paintings, bronzes, sculptures, porcelains, enamels, clocks, furniture, lamps and chandeliers. Session 2 (lots 399-658) will showcase jewelry, silver and Asian art and objects. Internet bidding will be hosted on the two platforms, LiveAuctioneers.com and Invaluable.com.

The Burbridge Foundation Collection demonstrates the keen eye of Robert Burbridge (1907-1994), who began scouring the country for antiques in the 1950s. The Part 1 sale of the collection was held at Sotheby’s in New York in the fall of 1996, two years after the death of Mr. Burbridge. The remainder of the collection has been in storage for the better part of 25 years.

“Decades ago, when I first met up with Mr. Burbridge at his 15,000-square-foot warehouse in Oklahoma City, I was astounded at the quality of the items and the vast array of merchandise,”

said John McInnis of John McInnis Auctioneers. “There were scores of paintings, rows of bronzes, marble and sculptures. Exploring with a flashlight, I rediscovered one remarkable object after another.” For the auction, the collection was shipped in three moving trucks to Amesbury.

Paintings certain to attract bidder interest include an oil on canvas by the German-born French genre and portrait painter Henri-Guillaume Schlesinger (1814-1893), titled At the Mirror, signed and dated 1863 and measuring 44 inches by 35 ½ inches (canvas, less frame) (est. $10,000-$20,000); and a 17th century British School portrait of Sir Edward Sherburne (1618-1702), the English poet, translator, and royalist, 49 inches by 39 ½ inches minus frame (est. $3,000-$5,000).

A bronze sculpture by the 19th century French sculptor Duchoiselle titled Fishing Allegory / Native American Woman, 24 inches tall, signed and dated 1864, has an estimate of $10,000-$15,000; while a marble sculpture by the Italian sculptor Fortunato Galli (1850-1918), titled The Broken Plate, 36 inches tall, signed “F. Galli Firenza”, dated 1885, should bring $5,000-$10,000.

Tiffany lamps are expected to make the sale’s list of top lots. A few examples are as follows:

- An early Tiffany table lamp signed “GDT Co.” with a center post sleeved to allow the glass shade to drop, exposing the socket and bulb, 20 inches tall (est. $18,000-$24,000).

- A Tiffany Studios (N.Y.) bronze counterbalance floor lamp with alligator finish, 53 ½ inches tall, with an 8 ¼ inch shade marked “L.C.T. favrile”, #619 (est. $4,000-$8,000).

- A Tiffany Studios Arabian favrile glass boudoir lamp with conical shade, 14 ¼ inches tall, decorated with applied prunts and signed “L.C.T Favrile” (est. $3,000-$5,000).

A French Louis XVI solid gilt bronze table, heavily adorned with gilt bronze mounts, the top set with a 19-inch porcelain plaque painted with a full-length portrait of Louis XVI, signed, is estimated to realize $8,000-$18,000. Also, a French ormolu mounted ebonized credenza, the tall shaped case having two glazed ogee doors opening to three shelves that flank a center door that opens to a velvet-lined shelf, 45 ½ inches by 72 inches by 19 inches, should hit $4,000-$8,000.

Staying with furniture, a Renaissance Revival walnut and mahogany bookcase, elaborately carved with figural dragon crest, egg and dart mouldings, running acanthus leaves, scrolls and North Wind entablature, 94 inches by 50 inches, has an estimate of $5,000-$15,000; while an Adams period serpentine sideboard with floral and classical portrait scenes and decorated with bellflower and swans, one drawer over a two-self cabinet, should command $1,000-$2,000.

An important 19th century Chinese porcelain moon flask, 19 ½ inches tall, each side painted with large reserves of figures and bat form handles applied to the base of the neck, is expected to fetch $5,000-$10,000. Also, a set of 12 German 800 silver plates, marked for Buccholz and Zelt, with open work rims, each plate 12 inches across, total weight 210 ozt., should ring up $3,000-$4,000.

A pietre dura (semi-precious stone inlaid) marble-top table having a birds, fruits and floral motif, with an elegant scrolling wrought iron base, 29 ½ inches by 27 ¼ inches, has a pre-sale estimate of $2,000-$4,000. Also, a museum-quality Aesthetic Movement bronze porcelain urn depicting birds in a landscape with dogwood blossoms, 31 inches tall, should gavel for $4,000-$8,000.

A Gothic Revival tall clock with Westminster chime, 12-inch dial, moon phase and choice of three chimes, powered by a pendulum regulated, weight-driven movement, made by Colonial Manufacturing Co. and signed “H.W.N.”, 96 inches tall, is expected to chime on time for $3,000-$6,000. Also, a 19th century French gilt chandelier with exotic glass, applied green glass leaves with blown glass grapes, 36 inches tall by 27 inches wide, carries an estimate of $1,500-$3,000.

A vintage platinum diamonds and sapphire bypass ring boasting one Old European cut diamond (2.57 cts., K color, VS2 clarity); a sapphire (2.25 cts., medium royal blue color); three tapered baguettes (.42 cts., G color, VS clarity); and a bypass set with five graduated round single cut and full cut diamonds on one side and ten single cut and full cut diamonds on the other side, the diamonds weighing about .60 cts., (G/H color, VS2-SI2 clarity) should sell for $4,000-$8,000.

Robert Oscar Burbridge enjoyed many successes in his long and storied career. Among them was the "Tamperpruf" Badge System, which was used worldwide from World War II through the Korean War for government security and identification, and later Cape Kennedy. In addition, Mr. Burbridge cornered the market on the manufacture of security decals during the 1940s and over the decades, expanding into decals for parking at universities and other institutions.

The Amesbury gallery will be open for live previews from Sunday, May 5th, thru Saturday, May 10th, from 1-5 pm Eastern time; and from 9 am on throughout the day on auction day, May 11th.

For hotel accommodations, John McInnis Auctioneers recommends the Hampton Inn, at 284 Elm Street in Amesbury (phone: 978-834-5080) or the Fairfield Inn, at 35 Clarks Road, Amesbury (phone: 978-388-3400). John McInnis Auctioneers holds Massachusetts auction license #770.

To learn more about John McInnis Auctioneers and the Auction Extravaganza planned for Saturday, May 11th, visit www.mcinnisauctions.com.

About John McInnis Auctioneers:
John McInnis Auctioneers is an estate appraisal and auction company with the largest full-service auction house on Boston’s North Shore. The galleries, located in historic Amesbury, are licensed, bonded and insured for the sale of antiques, fine art and real estate. Estate appraisal, consulting, marketing and liquidation services are carried out confidentially and with courtesy. John McInnis Auctioneers is always accepting quality merchandise for future auctions. To consign a single item, a collection or an estate, you may call them at 978-388-0400; or, you can email them at mcinnisauctions@yahoo.com. To learn more about John McInnis Auctioneers, please visit www.mcinnisauctions.com.

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A mixed media collaboration artwork between Dale Chihuly and Italo Scanga, a rare early lithograph by M.C. Escher, original paintings by Julian Stanczak and Sir Henry Raeburn, and three stoneware vessels by Claude Conover are all part of Neue Auctions' online-only Art in Bloom auction slated for Saturday, April 27th, starting at 10 am Eastern time.

“The catalog is loaded with contemporary art glass, including pieces by Chihuly, Kirkpatrick, Mace, Scanga, Brock, Weinberg, Carlson, Francis, Leppla, Novotny, Roubicek and Smith, as well as the fine contemporary by painting Stanczak and the antique portrait by Raeburn, plus sculpture and fine objects – 364 lots in total,” said Bridget McWilliams of Neue Auctions.

The mixed media glass construction collaboration between Dale Chihuly (American, b. 1941) and Italo Scanga (Italian/American, 1932-2001) is a 1995 work titled Pinball Machine. It incorporates painted cast iron, blown glass, painted found objects and cast and painted found objects, including Chihuly blown glass Ikebana Flowers and floats, as well as gilded putti.

“Chihuly and Scanga were very close friends and were commissioned to make this piece for our consignor,” Ms. McWilliams said. “The lot includes a fax copy of the proposed drawing.” The artwork, impressive at 85 inches tall and 57 inches in length, is signed by both artists and dated 1995 to the cast iron base. It’s an expected top lot, with an estimate of $15,000-$25,000.

The 1932 lithograph on paper by Maurits Cornelis (M.C.) Escher (Dutch, 1898-1972) is titled Castel Mola and Mount Edna, Sicily. It’s a rare early litho from the artist that’s signed lower left, numbered (“8/24”), and signed and dated in the plate with an “MCE” monogram and date (“12-32”). At 9 inches by 12 inches (less the frame), the litho should bring $12,000-$18,000.

The early acrylic on canvas painting by Polish-born American artist Julian Stanczak (1928-2017) is an untitled work done in 1965, measuring 38 inches by 37 inches as framed. It’s artist inscribed in pencil en verso and nicely framed. The painting was hand-done, before the use of tape, and comes to auction from the estate of a prominent Clevelander (est. $12,000-$18,000).

From the same estate, the oil on canvas Portrait of Henry David Inglis by Sir Henry Raeburn (British/Scotland, 1756-1823) has a canvas size of 30 inches by 25 inches (42 inches by 35 ½ inches as framed). Inglis (1795-1835) was a Scottish travel writer and journalist. The painting, which was sold at auction by Sotheby’s London in 1999, has an estimate of $12,000-$18,000.

The three stoneware vessels by Claude Conover (American, 1907-1994) were consigned from an Oklahoma collection and all three are signed and titled to the base and carry identical estimates of $6,000-$10,000. One, titled Cehnal, is bulbous shouldered form with a cylindrical neck. The other two – titled Verac and Tzots – are both ovoid cylindrical form.

A dazzling flame-worked borosilicate glass sculpture by Brent Kee Young, executed in 2009 and titled Vaulted Variation, is from the artist’s Matrix series and should command $15,000-$20,000. The work is 45 inches tall and 19 inches wide. Young’s work has been featured in 21 museums around the world. The acclaimed glass artist is a Cleveland Institute of Art Professor Emeritus.

Jewelry will be plentiful in the auction and will feature, among others, these lovely pieces:

- A diamond and ruby bracelet in 14k white gold, set with 14 oval faceted rubies (15.04 carats), 28 baguette diamonds (1.48 carats) and 448 round diamonds (7.76 carats) (est. $15,000-$18,000).

- A conch pearl and diamond ring, 14k white gold set, with a 7.45-carat conch pearl of soft pink color, surrounded by 12 fancy cut pear-shaped diamonds with a total diamond weight of 1.04 carats, the shank pave set with 40 diamonds (est. $7,000-$9,000).

- A Brazilian rhodonite and diamond 14k white gold ring, set with a faceted cut Brazilian rhodonite stone of about 9.39 carats, accented by four fancy cut diamonds (.12 carats), two baguettes (.16 carats) and 54 round diamonds (.95 carats) (est. $4,000-$6,000).

There are two bronze sculptures in the sale by Harriet Whitney Frishmuth (American, 1880-1980). One, from 1925 titled Crest of the Wave, stands 21 inches tall and is one of the artist’s most popular sculptures, originally cast as a 66-inch-tall fountain (est. $6,000-$9,000). The other, titled Allegra, is from 1929 (est. $3,000-$5,000). Both are signed and raised on marble bases.

Two blown glass vessels by Dante Marioni (American, b. 1964), titled Scarlet and Gray Pair, are both signed and dated 1997. One is 35 ½ inches tall, the other 17 ¾ inches tall (est. $4,000-$5,000). Also, a large abstract wood ash fired ceramic form sculpture by Yasuhisa Kohyama (Japanese, b. 1936), inspired by Shigaraki ware, 19 inches tall, should sell for $3,000-$5,000.

A lithograph on paper by the surrealist master Salvador Dali (1904-1989), titled Symphonie Bicyclette (1970), is artist signed in pencil lower right and numbered lower left. The litho is matted and framed and has an image size of 30 inches by 21 ½ inches (43 inches by 34 inches as framed). The sheet is laid down to Strathmore Watercolor illustration board (est. $6,000-$9,000).

Two wood and glass sculptures by Joey Kirkpatrick (American, b. 1952) and Flora Mace (American, 20th/21st century), will be sold as separate lots, each expected to bring $2,000-$4,000. One, 40 inches tall, shows a torso made of branches over a wood basket spilling blown glass fruits on a shaped wood base. The other, titled Head Leaning (1989), 32 inches tall, depicts a clear blown glass head and a blown glass pear under a painted wood circle and branch form.

Internet bidding will be facilitated by LiveAuctioneers.com and Invaluable.com. The auction will be clerked live on auction day by Neue Auctions team members. The catalog is up now on the two bidding sites.

To learn more about Neue Auctions and the 364-lot online-only Art in Bloom auction slated for Saturday, April 27th, starting at 10 am Eastern time, please visit www.neueauctions.com. Cynthia Maciejewksi and Bridget McWilliams can be reached by phone: 216-245-6707; or via email at cynthia@neueauctions.com, bridget@neueauctions.com.

About Neue Auctions:
Neue Auctions invites everyone to be added to its email list to receive notices and info regarding current and future sales. The firm is always seeking quality consignments. To learn more about Neue Auctions, please visit www.neueauctions.com. Cynthia Maciejewksi and Bridget McWilliams can be reached by phone: 216-245-6707; or via email at cynthia@neueauctions.com, bridget@neueauctions.com.

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An Important Estates Auction featuring property from the Dufour-Plassan House in New Orleans, paintings descended in the family of Mayor Paul Capdevielle (1842-1922) and more is planned for Friday and Saturday, May 10th and 11th, by Crescent City Auction Gallery, online and live in the gallery at 1330 St. Charles Avenue in New Orleans.

The Dufour-Plassan House is one of New Orleans’ landmark buildings. The residence was built in 1870 facing Esplanade Avenue, for the attorney Cyprien Dufour, who had served as a State Senator and District Attorney. In 1908 the structure was moved to its present location, in the same Square facing North White Street. It was subsequently purchased by Adolph Plassan.

Start times both days will be 10 am Central. Internet bidding will be provided by the Crescent City website (CrescentCityAuctionGallery.com), LiveAuctioneers.com and Invaluable.com. An in-person preview will be held beginning Wednesday, May 1st, excluding weekends, from 10 am to 5 pm Central time. More than 800 quality lots will come up for bid across the two sale days.

The auction will present fine items in categories people have come to expect from Crescent City Auction Gallery over the years: American, French and English furniture; original art (much of it by renowned local and regional artists); sterling silver; bric-a-brac and estate jewelry (to include diamonds, emeralds, sapphires, tanzanite, South Seas pearls and a gorgeous men’s Rolex watch).

An oil and mixed media on shaped board by Carmelo Arden Quin (Uruguayan/Paris, 1913-2010) titled Couronnes IV (1948) has an estimate of $8,000-$12,000. The work is titled and dated en verso and presented in a white board frame measuring 18 ¼ inches by 22 ½ inches. It was acquired in 1994 from the Galerie Alexandre de la Salle and is in the artist’s catalogue raisonné.

Carmelo Arden Quinn was a pivotal figure in 20th century Latin American art. He co-founded the Madi movement in Argentina in the 1940s that is now an international genre. Quinn’s Couronnes (Crown) series, ten paintings, exemplifies early international Madi. The painting in the upcoming auction as well as Number XI are the only two works in the series auctioned in the past 40 years.

Lots 652 thru 655 comprise a nice selection of Newcomb vases, while lots 532, 536, 537, 538 and 539 showcase a fine collection of clocks, including swing arm clocks after Auguste Moreau and Julien Causse. There is an impressive selection of patinated bronze figures and jardinieres, including lot 685, a pair of large 20th c. patinated and gilt bronze jardinieres (est. $2,500-$4,500).

Bronzes will be led by lots 541 and 542: two Western patinated bronze sculptures by Jasper D’Ambrosi (Calif., 1926-1986), each with an estimate of $1,500-$2,500. A garnet flame blown glass basket executed in 2018 by Dale Chihuly (b. 1941) is expected to fetch $5,000-$10,000. And a Huey Long for President iron campaign button from 1936 should realize $1,000-$2,000.

An oil on canvas portrait painting by the French/New Orleans artist John Genin (1830-1895), depicting Paul Henri Augustin Capdevielle (1880-1950) and Pierre Emmanuel ‘Auguste’ Capdevielle (1882-1940), the children of Paul Capdeville, who served as the Mayor of New Orleans from 1886-1887, is expected to attract much bidder attention (est. $4,000-$8,000).

Paintings by local and regional artists will feature an oil on canvas board by Clementine Hunter (La., 1887-1987), titled Wash Day (est. $4,000-$8,000); an oil wash on cardboard by Alexander John Drysdale (La., 1870-1934), titled Landscape with Live Oak Tree (est. $1,200-$1,800); a circa 1957 egg emulsion, tempera and ink on Masonite by George Dunbar (La., b. 1927), titled Abstract Figures (est. $1,500-$2,500); and a pair of oil on linen laid down on Masonite portraits of Edgar De Vesine Larue (1806/7-1884) and Augustine ‘Elina’ Pollock Larue (1825-1857), circa 1855, attributed to Francois Bernard (French/New Orleans, 1812-1875) (est. $2,000-$4,000).

An oil on board Beach Scene by Niek Van Der Plas (b. 1954) should bring $1,500-$2,500; while an 1890 oil on canvas by Jean-Baptiste Baudin (French 1851-1922), titled Woman Knitting in a Parlor, is expected to hit $1,200-$1,600.

American furniture will be led by a 19th century Queen Anne-style mahogany highboy (est. $1,000-$2,000), a cut-down half-tester bed, a mahogany four-poster bed, a Federal mahogany sofa, some nice Louisiana pieces and other notable furniture items made in the United States.

French furniture will be offered in abundance in this auction. Highlight lots will include an impressive 19th century Henri II-style carved walnut buffet a deux corps (est. $2,000-$4,000); a Louis XVI-style marble-top polychromed walnut sideboard, 20th century (est. $600-$1,200); a 20th century oak refectory table (est. $700-$1,200); and a mid-19th century Empire carved walnut marble-top commode with fossilized dark grey marble over a frieze drawer (est. $600-$1,200).

Also from France, a 20th century Louis XVI-style giltwood overmantel mirror is expected to garner $1,000-$1,500. Silver will feature a 48-piece set of sterling flatware by Reed & Barton in the “Spanish Baroque” pattern (est. $1,200-$1,800); and an assembled set of twelve 20th century sterling goblets, including eleven by Alvin, #S249, and one by Amston, #70 (est. $1,500-$2,500). Also, a 20th century carved giltwood blackamoor torchière is expected to reach $1,000-$2,000.

Bric-a-brac will include Newell post lamps, Murano glass, a pair of silverplate and crystal trumpet vases, lamps, canes, Limoges and more. Other items will include Oriental carpets, chandeliers, iron patio furniture and planters, a cornstalk iron fence post, bronze fountain figures, bronze garden statuary, a marble-top conservatory table, a Behr Brothers mahogany baby grand piano, marble-top bistro tables, a wicker parlor set and much more. See the full catalog online.

Absentee and phone bids will be accepted until 1 pm Central time the day before the auction. A 28 percent buyer’s premium will be applied for online bidders or those paying with a credit card. A 25 percent buyer’s premium will be applied in-house. A printed catalog is available; please call 504-529-5057 or send a request via email to info@crescentcityauctiongallery.com.

For more information regarding Crescent City Auction Gallery and the two-day Important Estates Auction planned for Friday and Saturday, May 10th and 11th, beginning at 10 am Central time both days, please visit www.crescentcityauctiongallery.com. Updates are posted frequently.

About Crescent City Auction Gallery:
Crescent City Auction Gallery is always seeking quality consignments for future auctions. To consign a single item, an estate or a collection, you can call them at (504) 529-5057; or you can send an e-mail to info@crescentcityauctiongallery.com. All phone calls and e-mails are confidential. For more information regarding Crescent City Auction Gallery, please visit www.crescentcityauctiongallery.com.

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A spectacular 6-85-carat diamond and ruby wedding ring set, a handsome Rolex Daytona ‘Paul Newman’ watch in 18k yellow gold, and a whimsical pair of Van Cleef & Arpels mop dangle Alhambra earrings are just a few of the wonderful items up for bid in Ahlers & Ogletree’s Fine Jewelry & Watches auction, featuring the Dobson collection, slated for April 25th-26th, live and online.

Over 400 lots will cross the auction block, with lots 1-93 (on Day 1) featuring the jewelry collection of Bridget Dobson, co-writer with her husband Jerome of the hit TV soaps General Hospital, Santa Barbara and Guiding Light. Highlights from the session include items by many of the finest names in jewelry, to include Cartier, Harry Winston, Tiffany, Rolex, Van Cleef & Arpels and Verdura.

Also from the Dobson collection will be fine watches by Rolex, Cartier, Vacheron, Harry Winston, Omega and others, as well as GIA-certified diamonds and emeralds. The Friday, April 26th session will showcase fine and costume jewelry items, including gemstones, David Yurman and estate jewelry. Designer handbags and accessories by Hermes, Gucci and Ferragamo will also be sold.

The diamond and ruby wedding ring set is the auction’s overall expected top lot, with an estimate of $90,000-$135,000. It boasts a 6.85-carat round brilliant cut diamond (VS-2 clarity and I color), flanked by ruby and diamond bands in 18k yellow gold, each ring having eight round red rubies weighing about 0.45 total carats and nine round brilliant cut diamonds weighing 0.27 total carats.

The 2021 Rolex Oyster Perpetual Cosmograph Daytona 'Paul Newman' 38mm watch in 18k yellow gold features a Swiss-made perpetual movement, three subsidiary dials, an oyster bracelet with flip lock clasp and synthetic sapphire crystal. The watch is marked 'Rolex' to the dial. It’s accompanied by inner and outer boxes, manuals, a green movement tag and a COA card (est. $45,000-$75,000).

The pair of Van Cleef & Arpels Alhambra mother of pearl dangle drop earrings in 18k yellow gold with white club shaped tablets comes with clip and removable post assemblies. They’re marked ‘VCA, 750’ and measure just over 3 ¾ inches in length. The pre-sale estimate is $6,000-$11,000.

A gorgeous diamond engagement ring set in platinum, with an emerald cut diamond weighing 4.29 total carats (VS-1 clarity, H color), set between two triangular-shape diamonds weighing about 1.10 total carats (SI-1 clarity and F/G color), with GIA grading report, should finish at $45,000-$65,000.

A diamond engagement ring set in 18k white gold, with a round brilliant cut diamond weighing 4.19 total carats (VS-2 clarity and I color) set atop the 6.6mm wide two-ring set containing four tapered baguette diamonds weighing 0.90 total carats, is expected to realize $40,000-$55,000.

A Rolex Oyster Perpetual Superlative Chronometer GMT watch in 18k yellow gold, with Swiss perpetual movement, green dial with luminescent markers, black ceramic bezel, synthetic sapphire crystal, screw down crown/stem assembly and oyster link bracelet, should hit $38,000-$45,000.

A Rolex Oyster Perpetual Cosmograph Daytona wristwatch, 39mm, with Swiss made perpetual Zenith movement, dial with three subsidiary dials and rubber oyster flex strap with stainless steel flip lock clasp, marked 'Rolex' to the dial and 18k to the case, has an estimate of $18,000-$26,000.

A Cartier La Panthere 18k yellow gold, diamond, and tsavorite wristwatch with Swiss-made quartz movement, a silver dial, and diamond bezel incorporating 39 diamonds weighing 0.30 total carats, with grey crocodile band and 18k yellow gold Cartier buckle, is expected to reach $10,000-$20,000.

A Van Cleef & Arpels 'Sweet Alhambra' 18k yellow gold, mother of pearl and diamond quartz ladies watch with a yellow gold dial, on a link bracelet in 18k yellow gold, mother of pearl and diamond, featuring 24 round brilliant cut diamonds weighing 0.95 total carats, should fetch $12,000-$15,000.

A Harry Winston sapphire and diamond platinum ring with an oval shaped brilliant/step faceted medium strong/vivid violet blue sapphire weighing 4.66 carats and mounted between two trillion cut diamonds weighing approximately 0.72 total carats, is expected to sell for $8,000-$16,000.

A Michael Christie 'Frog Kiss' gem carved perfume bottle with green tourmaline/chrysoprase dipper/pendant, a quartz crystal form vessel with internal carved frog imagery by Susan Allen, hinged to a B.C. jade base wrapped in 14k yellow gold, has an estimate of $10,000-$15,000.

All of the above lots are in the April 25th session. Day 2 will be led by lot 331 – a vintage mid-century modern multi-gemstone cuff bracelet in 14k yellow gold, with chalcedony, agate, onyx, turquoise, amethyst, tourmaline, ruby, glass doublets, cultured pearl, smoky quartz, sapphire, topaz, corundum, garnet, colored glass and synthetic corundum weighing 120 carats (est. $9,000-$12,000).

A patinated sterling silver and diamond hinged figural snake bracelet covered in single cut diamonds weighing 9.00 total carats (SI-2, I-1 clarity, a light color fancy brown color) terminating to a hidden tension clasp having a 14k yellow gold tongue, should command $3,000-$5,000.

A Chanel 2013-2014 Paris-Edinburgh CC Crave tote handbag with black caviar calfskin in a quilted pattern and silver tone hardware, having several maker's marks and a serial number to the interior, designed by Karl Lagerfeld and accompanied by a Chanel COA card, is estimated at $3,000-$4,000.

A Monique Pean 'scrimshaw' bone (whale’s tooth) and diamond ring set in 18k satin yellow gold, with approximately 1.50 total carats of round diamonds, unmarked, should garner $3,500-$4,500.

Start times both days will be 10 am Eastern, with the live auction taking place in the Ahlers & Ogletree gallery located at 1788 Ellsworth Industrial Boulevard NW in Atlanta. Online bidding will be provided by the Ahlers & Ogletree website (AandOAuctions.com), as well as Bidsquare.com, LiveAuctioneers.com and Invaluable.com. Telephone and absentee bids will also be accepted.

Previews will be held Monday, April 22nd, thru Wednesday, April 24th, from 10 am-5 pm Eastern time, with extended evening hours on Tuesday, April 23rd, from 5-7 pm., in the Ahlers & Ogletree gallery. The public is invited; no appointment is necessary.

To learn more about Ahlers & Ogletree and the Fine Jewelry & Watches auction, featuring the Dobson collection, slated for April 25-26, live and online, visit www.aandoauctions.com. Updates posted often. You can follow Ahlers & Ogletree via social media on Twitter, Instagram, Pinterest and Facebook.

About Ahlers & Ogletree:
Ahlers & Ogletree is a multi-faceted, family-owned business that spans the antiques, estate sale, wholesale, liquidation, auction and related industries. Ahlers & Ogletree is always seeking quality consignments for future auctions. To consign a single item, an estate or a collection, you may call them directly at 404-869-2478; or, you can send them an e-mail, at consign@AandOauctions.com. To learn more about Ahlers & Ogletree, visit www.aandoauctions.com. Updates posted often. You can follow Ahlers & Ogletree via social media on Twitter, Instagram, Pinterest and Facebook.

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Assonet, MA, April 13, 2024 -- Nominate someone for “Gratitude and Grin” award. The “Gratitude and Grin” award provides recognition for someone in the community who goes out of their way to help. The award, sponsored by Woodside Dental, Assonet, MA, includes community recognition and dinner for two at an area restaurant.

It’s the little things that matter. Do you know someone who takes out the trash for a neighbor in need, someone who checks in on an elderly friend, someone who runs chores for someone in need, someone who volunteers their time for good causes? Please nominate them for the “Gratitude and Grin” award.

The public is encouraged to submit nominations to https://www.woodsidedental.com/contact-us.html.

Please include the name of the nominee, a brief description of the random act of kindness, contact information (telephone, email address) for the nominee. Please also include contact information (telephone, email address) for the nominator.

About Woodside Dental Care:
Woodside Dental Care’s mission is to not only maintain a healthy smile, but to completely change perceptions of dentistry and challenge the idea that going to the dentist is unpleasant.

Woodside offers high quality care, maximum convenience, and the kind of friendly service you’d expect at a small Mom & Pop store. For information, visit the offices at 36 South Main Street, Assonet, MA, via the web at https://www.woodsidedental.com/ or call (508) 452-6302.

Media Contact:
Steven Dubin, PR Works
SDubin@PRWorkZone.com
781-864-1837

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Downtown Los Angeles, CA, USA, April 12, 2024 -- Andrew Jones Auctions is thrilled to present the sale of an important private collection out of Pebble Beach, California on Sunday, April 28th and Monday, April 29th, online and live in the gallery located at 2221 South Main Street in downtown Los Angeles. Online bidding will be available on AndrewJoesAuctions.com, LiveAuctioneers.com and Invaluable.com.

The outstanding collection will feature an international array of fine and decorative art, ranging from the 16th to the 20th centuries. The catalog will include over 450 lots of Chinese works of art, Old Master to modern paintings, English and European silver, porcelain and glass, English and Continental furniture, books, Russian icons, modern works, garden appointments and more.

An impressive offering of Chinese works is led by a monumental blue and white porcelain dragon basin with partial Jiajing mark, on a stand (est. $4,000-$6,000); and a lovely pale celadon porcelain bowl with Wanli marks and Frank Caro provenance (est. $20,000-$30,000); as well as a variety of fine celadon pieces.

A selection of yellow glazed porcelains featuring two dragon incised bowls (each est. $2,000-$3,000) and dishes was a centerpiece of the residence drawing room. An impressive coromandel lacquer floor screen with lengthy inscription panel (est. $4,000-$6,000) made for a striking entrance into the home.

Beautiful jade and hardstone pieces include two jade plaques on hardwood boxes (est. $800-$1,200); a reticulated jade plaque on hardwood box (est. $1,000-$1,500); a spinach jade box (est. $1,500-$2,000); a variety of rock crystal works from a pair of models of phoenix (est. $1,000-$1,500); and a jade mounted snuff bottle (est. $400-$600). Also included are early ceramics, blue and white and wucai (Chinese for five colors) decorated porcelains, and a wonderful selection of Chinese Export porcelain serving wares.

Spectacular fine art offerings range from a well exhibited portrait of King Edward VI formerly in the collection of Kimbolton Castle, Cambridgeshire (est. $30,000-$50,000); a monumental Italian School depiction of the first audience of Charles, earl of Manchester with the Doge and Senate of Venice, 1698 (est. $50,000-$70,000); and a riotous Venetian School portrayal of Battaglia dei Pugni, Ponte San Barnaba, or battle on San Barnaba bridge est. ($30,000-$50,000) to mixed media works by Graham Sutherland, including Landscape with Setting Sun, 1972 (est. $10,000-$15,000) and Thorn Tree with Sun, 1972-73 (est. $10,000-$15,000).

Other fine art highlights include a large scale and colorful post cubist vista of Cetara, Italy, 1932 by Károly Patkó (est. $10,000-$15,000); a British Boar by Sir Edwin Henry Landseer (est. $10,000-$15,000); Raimonds Staprans’ modernist still life Lapis, 1963 (est. $4,000-$6,000); four works by aristocratic jeweler and miniaturist Fulco di Verdura, including View of the Colosseum (est. $600-$800); and an abstract View of Venice, 1968 by Virgilio Guidi (est. $1,000-$1,500).

Fine silver and objects de vertu offerings include a charming Fabergé bowenite model of an elephant (est. $5,000-$7,000); a Cartier Art Deco chinoiserie 18K gold telescopic pencil (est. $1,000-$1,500); a Continental varigold mounted hardstone box (est. $1,000-$1,500); three British gold and silver mounted seals for the family Keith, Earl of Kintore and Keith Hall, Aberdeenshire (est. $1,000-$1,500); and other finds.

An impressive 17th century North European coin inset silver gilt peg tankard (est. $2,000-$3,000) and a 17th century Nuremberg silver pineapple covered cup (est. $1,000-$1,500) will lead the European selection. English silver is represented by a host of historic pieces, including a set of four George III candlesticks by William Cafe, 1761 (est. $1,500-$2,000); a Regency kettle on stand by Robert Garrard I, 1806, and a Victorian five piece tea and coffee service est. ($2,000-$3,000).

The home was wonderfully appointed with European and English furniture, including a Louis XV/XVI Transitional tulipwood and amaranth commode by Flemish master cabinet maker Daniel de Loose (est. $3,000-$5,000); an imposing Italian Neoclassical walnut settee (est. $2,000-$3,000); a handsome pair of George III mahogany cockpen armchairs (est. $3,000-$5,000); an intricately inlaid George III mahogany and parquetry sideboard (est. $800-$1,200); as well as an unusual, likely estate made George III mahogany bookcase secretaire chest (est. $1,000-$1,500).

Also in the sale is a large collection of more than 100 Eastern Orthodox icons, including an 18th century Russian icon of the Virgin of Joy to Those Who Grieve (est. $600-$800); as well as Venetian glassware, garden furniture and ceramic urns, marble and stone garden appointments, including a 19th century white marble font (est. $2,000-$3,000), leather bindings and accessories.

Previews will be held in the Andrew Jones Auctions gallery on Friday, April 26th, and Saturday, April 27th, from 10 am to 5 pm Pacific time both days. No appointment is necessary. To learn more about Andrew Jones Auctions and the sale of items from an important private collection out of Pebble Beach, California on Sunday, April 28th and Monday, April 29th, please visit www.AndrewJonesAuctions.com.

About Andrew Jones Auctions:
Opened in the summer of 2018, Andrew Jones Auctions is a full-service fine art and antiques auction house specializing in the liquidation of estates and collections featuring fine art, antiques and collectibles. The firm understands market trends and has foresight for the 21st century. The highly experienced staff has a wealth of knowledge with international savvy, having worked for many years at major international auction houses in North America and Europe, sourcing property from all corners of the United States.?Andrew Jones Auctions’ sales are diverse and eclectic, and feature fine diamonds to contemporary art, from antiquity to the 21st century. To learn more about Andrew Jones Auctions, please visit www.AndrewJonesAuctions.com. Updates are posted frequently.

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Singapore, April 12, 2024 -- Cryfi, a blockchain-verified trading signal platform, has released its Alpha version as a Telegram Mini App that goes beyond basic copy-trading to make it easier to not only share but adjust and implement trading signals. Cryfi’s Founder Pass NFT collection that grants users numerous perks on the platform will also be made available for early Cryfi supporters on May 3rd. The full-featured web-app launches later this year with the world’s first blockchain-verified trading signals and leaderboard.

“We’re developing Cryfi’s on-chain verification to bring trust and transparency to crypto trading and remove the scam-traders that the space has become famous for,” said Cryfi founder and CEO Yura Mizin. “As we enter crypto’s next bull run, more and more people are keen to start trading. There is no better way to learn how than to follow and listen to the best traders on the market today. However, since it’s currently impossible to verify someone’s trading skills, too many people end up following fakers who claim to be pros.”

Cryfi addresses these problems and more.

Providing Proof-of-Signal, Cryfi’s trading signal platform features blockchain-verified signals and a leaderboard of top signal providers. Offering the perfect combination of control and automation, Cryfi users will be able to easily copy and adjust signals and then automatically implement these signals on CEXs and DEXs via API integration.

Trading channel subscriptions, member management and promotions will be automatically handled for signal providers, so they can focus on trading and building their reputations. Meanwhile, traders can learn all the best trading strategies together via trading courses and a closed discussion group with top-performing signal providers on the platform.

“Cryfi will be like a passport — a blockchain-verified certificate that showcases your trading capabilities. In addition, Cryfi will offer plenty of other features to help traders and signal providers trade more quickly and efficiently.”

Available now, Cryfi’s Alpha version is a Telegram Mini App that allows signal providers more efficiently share their signals in their own existing communities, with automatic integration with Binance via API. The full-featured web-app platform is scheduled for launch in Q3 2024, with Cryfi’s $CRFY token scheduled to launch in early 2025. The whitelist for their Founder Pass NFTs is already open, with an official Cryfi Galxe campaign ongoing until May 3rd with USD 6,000 worth of NFTs to give away. Stay tuned to their social media channels for the launchpad reveals.

Founder Pass NFTs Available May 3: Numerous Perks for Early Supporters

The Founder Pass is a limited edition collection of 430 utility NFTs that give early supporters many distinct benefits on the Cryfi platform — such as a membership in a closed group with pro traders and lifetime subscriptions to trading courses and Cryfi Pro, which will allow traders to copy and adjust signals and technical analysis on the live chart. There are two tiers of NFTs: the Shark Pass, which caters to novice traders, and the Whale Pass, which grants additional perks such as profit sharing, larger discounts and forever access to signal channels to Cryfi’s top ambassadors. Both tiers have plenty of other perks, too. See the official Cryfi Medium blog for more information about all the benefits of owning a Cryfi Founder Pass NFT.

Founder Pass NFT Details
- Shark Pass: $300 each, 404 NFTs in total
- Whale Pass: $3000 each, 26 NFTs in total

To earn a spot on the Founder Pass whitelist prior to the NFT launch, supporters should visit the Galxe campaign page linked below and complete the social tasks listed there. The top 50 participants will earn a guaranteed chance to purchase Founder Pass NFTs. All participants will also receive a free Early Supporter badge and be entered into raffles, with prizes coming from a pool of NFTs worth USD 6,000.

Participate in the Galxe campaign here: https://app.galxe.com/quest/Cryfi/GCFddtTagR

Top Partners to Bring Further Value to the Cryfi Platform

Cryfi is also forging a number of important partnerships that will bring new features to the platform. One key partner is Analog, a company which is developing a suite of multi-chain protocols. Analog’s interoperability technology will help Cryfi query other blockchains to seamlessly compare signal prices with real prices, and trade signals across chains without having to deal with smart contracts.

“One of our visions is to help move traders from Web2 to Web3. While most people are familiar with the big names in the crypto space — Bitcoin, Binance, Ethereum and so forth — a lot of traders are not actually Web3 users. We want to change that,” Mizin said. “Lucky for us, Analog has all the tools we need to achieve this.”

Other partnerships will add new capabilities to the Cryfi platform post-launch. Copin will bring their on-chain traders to Cryfi as signal providers, Yoki Finance will bring crypto payments for channel subscriptions, and the quant trading platform Crypto Arsenal will onboard Cryfi’s signal providers as additional analytics sources. Further big features coming up include copytrading, algorithm trading, trading bots and AI bots.

Cryfi’s team of experts boasts more than 50 years experience in product development, 30 years in blockchain, and 10 years in trading combined. Team members have worked with a number of leading brands, including Equifax, HTX and other fintech leaders in the Web2 and Web3 spaces.

See how Cryfi works in this video:
https://www.youtube.com/watch?v=6Q3gpqiqVp0

Cryfi is More Than Just Another Trading Platform - It’s a Trading Community

By providing a fair and transparent social space where traders and signal providers can share ideas, Cryfi is building a real community of people with similar goals. Anyone can submit trading signals on Cryfi — their blockchain-verified track record will speak for itself on Cryfi’s leaderboard. This removes a huge barrier of entry for new signal providers, while ensuring Cryfi is represented by some of the best traders on the market.

Supporters who join early will enjoy the benefit of utilizing the first blockchain-verified trading signals on the market, giving them increased trust in the validity of their trading strategies that most other trading communities cannot offer. Founder Pass NFT holders will also be the first to try out all new features Cryfi adds to its platform, giving them a distinct advantage when compared to members who join the platform later on.

About Cryfi:
Launched in 2024, Cryfi is a crypto trading app that connects traders with blockchain-verified signal providers. The newly released MVP is available as a Telegram Mini App that allows for easy creation and implementation of trading signals. A future version is being developed that will include a mobile app, signal channel subscriptions, a leaderboard for top-performing signal providers, API integration with more centralized exchanges and DEXs, a trading school, and more.

Official Channels:
Cryfi Website: https://cryfi.app/
Cryfi Twitter: https://twitter.com/Cryfi_app_
Cryfi Medium Blog: https://medium.com/@cryfi_app
Cryfi Telegram (Announcements): https://t.me/+GggbNqo8GLcwNTVi
Cryfi Telegram (Chat): https://t.me/cryfi_official
Cryfi V1 (MVP): https://t.me/CryfiBot
Cryfi LinkedIn: https://www.linkedin.com/company/cryfi/
Cryfi Whitepaper: https://cryfi.gitbook.io/cryfi
Cryfi Video: https://www.youtube.com/watch?v=6Q3gpqiqVp0
Cryfi Whitelist Galxe Campaign: https://app.galxe.com/quest/Cryfi/GCFddtTagR

Media Contact:
pr@yourPRstrategist.com

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New Hamburg, Ontario, Canada, April 10, 2024 -- In 1965, The Star Weekly magazine and CBC-TV both shone a spotlight on the little-known, self-taught Nova Scotia folk artist Maud Lewis (1901-1970). Her world suddenly changed.

Now, Ms. Lewis’s letters handwritten to a friend in London, Ontario will come up for bid at Miller & Miller Auctions, Ltd., this coming Saturday, April 13th, beginning promptly at 10 am Eastern time. The auction will be online-only.

Details of Maud Lewis’s secluded and impoverished life in Marshalltown – where she and her husband Everett shared a tiny one-room house with no electricity or running water – became public knowledge. She complained about receiving more than 300 letters after all the publicity and evidently had no plans to answer them.

When the White House wrote to secure two paintings, her response was concise: she would send the paintings after receiving payment. Her work was suddenly in great demand, but she seemed impervious to the fame.

While it’s believed Maud Lewis had few correspondents during that time, there is one man she confided in. She wrote to him, and he wrote her back. He also sent her packages of badly-needed art supplies. His name was John H. Kinnear, of London, Ontario.

In his book The Illuminated Life of Maud Lewis, author Lance Woolaver writes, “Maud was not a careerist, and she valued those friends, like Ontario painter John Kinnear, who corresponded with her regularly, far more than an order from a Premier or President.”

An artist himself, Kinnear had read The Star Weekly story and was captured by Lewis’s plight. He was deeply moved by her circumstances, her poverty and her severe disabilities. But he also recognized her extraordinary talent and took it upon himself to do what he could to help.

And so began their friendship and rare correspondence, which lasted five years until Lewis died of pneumonia in 1970.

Kinnear’s daughter Sheila M. Kinnear, also an artist, remembers that relationship and inherited many of the letters sent to her father by Maud Lewis. Dating between 1966 and 1967, the remaining six hand-written letters she saved are being offered in Miller & Miller’s April 13th Canadiana & Historic Objects sale. The group carries an estimate of $3,500-5,000. Each letter provides a rare window into Lewis’s life and her daily struggle as a modest artist with newly found fame.

Maud Lewis lived most of her life in abject poverty. She sold paintings from her tiny roadside home, and never for more than ten dollars. Since her death, interest in her work has skyrocketed and a world record was set at Miller & Miller’s May 14, 2022 auction, when the hammer came down at $350,000 (Canadian) for a rare Maud Lewis painting, Black Truck. Remarkably, the painting had been traded by its owner in the 1970s for a few grilled cheese lunches.

“A few months before his death in 2003, my father and I opened the trunk together,” wrote Sheila in her story that appeared in Reader’s Digest in 2021. “I remember his smile as we recalled the days gone by, and the little old lady who painted pretty pictures.”

Ms. Kinnear went on to describe her father’s affinity for Maud Lewis and his desire to help her. She explained he was a World War II veteran who’d fought the Nazis and had been a prisoner of war three times. “He knew pain and hardship,” she wrote. “He also valued kindness and believed in lending a hand to others less fortunate.”

Reflecting on her father’s relationship with Maud Lewis, Sheila Kinnear offered the words her father repeated many times throughout his life: “It is never too late to help someone. You may be the only one that does.”

To learn more, please visit www.millerandmillerauctions.com.

About Miller & Miller Auctions. Ltd.:
Miller & Miller Auctions, Ltd. is Canada’s trusted seller of high-value collections and is always accepting quality consignments. The firm specializes in luxury watches, art, antiques and high-value collectibles. Its mission is to always provide collectors with a trusted place to buy and sell. To consign a single piece, an estate or a collection, you may call them at (519) 573-3710; or, you can e-mail them at info@millerandmillerauctions.com. To learn more about Miller & Miller Auctions, Ltd., please visit www.millerandmillerauctions.com.